To disrupt, investigate, and form alternative narratives about the Caribbean space, Sonia utilizes a range of techniques to meet the individual demands of each project, including book binding, letterpress printing, hand-papermaking, relief printing, silkscreen, sound, installation, and digital media. Often her work invites a degree of collaboration or participation from the community.

Cycle of Abuse (2017, Central Bank of The Bahamas Art Gallery)

Elect Ya Tings (2015, Central Bank of The Bahamas Art Gallery)

Orientation (2017, National Art Gallery of The Bahamas)

Making Waves (2014, Doongalik Studios)

Paper Was & Ink Treaties (2013, National Art Gallery of The Bahamas)

Nassau, What Happened (2013, The Hub)